Ottorino Respighi (9 July 1879 – 18 April 1936) was an Italian composer, musicologist and conductor. He is best known for his orchestral “Roman trilogy”: Fountains of Rome (Le fontane di Roma); Pines of Rome (I pini di Roma); and Roman Festivals (Feste romane). His musicological interest in 16th-, 17th- and 18th-century music led him to also compose pieces based on the music of this period.
Ottorino Respighi was born in Bologna, Italy. He was taught piano and violin by his father, who was a local piano teacher. He went on to study violin and viola with Federico Sarti at the Liceo Musicale in Bologna, composition with Giuseppe Martucci, and historical studies with Luigi Torchi, a scholar of early music. A year after receiving his diploma in violin in 1899, Respighi went to Russia to be principal violist in the orchestra of the Russian Imperial Theatre in St Petersburg during its season of Italian opera. While there he studied composition for five months with Rimsky-Korsakov. He then returned to Bologna, where he earned a second diploma in composition. Until 1908 his principal activity was as first violin in the Mugellini Quintet. In 1908-09 he spent some time performing in Germany before returning to Italy and turning his attention entirely to composition. Many sources indicate that while he was in Germany he studied briefly with Max Bruch, but in her biography of the composer, Respighi’s wife asserts that this is not the case.
During the second decade of the twentieth century Respighi was active as a performer and composer. His compositions began to draw attention, and in 1913 he was appointed as teacher of composition at the Conservatorio di Santa Cecilia in Rome, where he lived for the rest of his life. In 1917 his international fame began to spread through multiple performances of the first of his Roman orchestral tone poems, Fountains of Rome. In 1919 he married a former pupil, the singer Elsa Olivieri-Sangiacomo. From 1923 to 1926 he was director of the Conservatorio. In 1925 he collaborated with Sebastiano Arturo Luciani on an elementary textbook entitled Orpheus. He was elected to the Royal Academy of Italy in 1932.
A visit to Brazil resulted in the composition Impressioni brasiliane (Brazilian Impressions). He had intended to write a sequence of five pieces, but by 1928 he had completed only three, and decided to present what he had. Its first performance was in 1928 in Rio de Janeiro. The first piece is a nocturne, “Tropical Night”, with fragments of dance rhythms suggested by the sensuous textures. The second piece is a sinister picture of a snake research institute, Instituto Butantan, that Respighi visited in São Paulo, with hints of birdsong (as in Pines of Rome). The final movement is a vigorous and colorful Brazilian dance.
On the ship back home from Brazil, Respighi met up by chance with Italian physicist Enrico Fermi. During their long conversation Fermi tried to get Respighi to explain music in terms of physics, which Respighi was unable to do. They remained close friends until Respighi’s death in 1936.
Apolitical in nature, Respighi attempted to steer a neutral course after Benito Mussolini came to power in 1922. His established international fame allowed him some level of freedom but at the same time encouraged the regime to exploit his music for political purposes. Respighi vouched for more outspoken critics such as Arturo Toscanini, allowing them to continue to work under the regime.