Delibes, Leo

Leo DelibesClément Philibert Léo Delibes (21 February 1836 – 16 January 1891) was a French composer of ballets, operas, and other works for the stage. His most notable works include ballets Coppélia (1870) and Sylvia (1876) as well as the operas Le roi l’a dit (1873) and Lakmé (1883).

Léo Delibes was born in Saint-Germain-du-Val, now part of La Flèche (Sarthe), France, in 1836. His father was a mailman, his mother a talented amateur musician. His grandfather had been an opera singer. He was raised mainly by his mother and uncle following his father’s early death. In 1871, at the age of 35, the composer married Léontine Estelle Denain. His brother Michel Delibes migrated to Spain; he was the grandfather of Spanish writer Miguel Delibes.

Starting in 1847, Delibes studied composition at the Paris Conservatoire as a student of Adolphe Adam. A year later he began taking voice lessons, though he would end up a much better organ player than singer. He held positions as a rehearsal accompanist and chorus master at the Théâtre Lyrique, as second chorus master at the Paris Opéra (in 1864), and as organist at Saint-Pierre-de-Chaillot (1865–71). The first of his many operettas was Deux sous de charbon, ou Le suicide de Bigorneau (“Two sous-worth of coal”), written in 1856 for the Folies-Nouvelles.

A ceremonial cantata, Algers, for Napoleon III on the theme of Algiers, brought him to official attention; a collaboration with Léon Minkus resulted, in which his contribution of an act’s worth of musical numbers for a ballet La source (1866) brought him into the milieu of ballet. Delibes achieved true fame in 1870 with the success of his ballet Coppélia; its title referred to a mechanical dancing doll that distracts a village swain from his beloved and appears to come to life. His other ballet is Sylvia (1876). It has been suggested that he also wrote the ballet music for Gounod’s “Faust” which had been inserted ten years after the original performance of the opera.

Delibes also composed various operas, the last of which, the lush orientalizing Lakmé (1883), contains, among many dazzling numbers, the famous coloratura showpiece known as the Légende du Paria or Bell Song (“Où va la jeune Indoue?”) and The Flower Duet (“Sous le dôme épais”), a barcarolle that British Airways commercials made familiar to non-opera-goers in the 1990s. At the time, his operas impressed Tchaikovsky enough for the composer to rate Delibes more highly than Brahms—although this may seem faint praise when one considers that the Russian composer considered Brahms “a giftless bastard.”

 

Leo Delibes – Wikipedia